https://www.izotope.com/en/alliance/ozone-elements-x-hybrid-keys.html

1- Choose any song that you can comfortably strum a guitar and sing to a drum track.
2- Find a style in BIAB close to that song. 
3- Turn off all the accompanyment in that style except for one bar of drums.
4- Record yourself strumming and singing along with the drum track.
5- Use the Analyze feature to automatically generate a backing track in that style.

Obviously for this experiment any simple song with an obvious chord change in the chorus/bridge would be great, and don't worry about sound quality either. What I really want to know is if my usual "phone rough" recordings will be sufficient :)

Some questions answered by Disc Makers.
This is one of a planned series of videos. 6 minutes 31 seconds of your time to educate yourself.

Additional note: Looks like I need an audio interface to use with the online mixing software. Motu? Focusrite? Another?

Having been born in the time of the dinosaurs I still have a concept of a 'reader' as a person with eyes seeing words on a page.
But computers can go get whatever data you ask them for, searching through billions of words in electronic storage to 'see' and bring it back and show it to you.
That may be why two Songs right next to each other in the Lyric Feedback list get different numbers of views. The computer leads them to one 'title' and they never even see the other one. The right title and other associated wording can make them 'see'.

SEO - Search Engine Optimization.

QUOTE FROM THE VIDEO:
On this episode of TAXI TV, expert Joe Brandt, joins us to go over the most common mp3 tag mistakes and how to avoid them! You will learn how good metadata and tagging can help you get more music placements and get more income. It's a very overlooked part in the music business, but it couldn't be MORE important for your success.

Joe is on the show by popular demand, because so many of you couldn't stop raving about his music business class on mp3 tag mistakes and metadata at this year's TAXI Road Rally Convention! So we thought we would dedicate a whole TAXI TV episode to the topic to further your knowledge. We want to set you guys up for success. We try to do as much as we can to help you avoid these common and, often times, silly mistakes along the way.

Don't release your music OR EVEN upload your music until you do these 3 critical things:

- Choose the right title

- Check your levels

- Add the metadata - we cover why it's important and how to do it RIGHT!

Put in the extra few minutes of work after you finish a beautiful piece of music that you believe in. And pay attention to your mp3 tags people!!  (You'll thank us later when all of your deals start coming in and when music executives can't stop complimenting your attention to detail to make their jobs easier!!!)

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Watch Last Week's Episode: https://youtu.be/GbiM7j07AnY

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Ozone Elements is probably the most useful plug-in I have ever installed. It makes mastering easy and produces a great sound without you really needing to be an expert. I normally find that choosing a preset is enough without any adjustment. I was using version 7 and have just downloaded 8. It has quite a lot more features. Especially useful, in my opinion, is the option of selecting between mastering for streaming and for CD. Basically, the CD setting maximizes the volume while the streaming setting applies the standard -14 LUFS for loudness, used by  Spotify, etc. I used to have to do this using a separate plug-in called YouLean Loudness Meter (also really good), but it's great and far quicker to be able to do this automatically when you master. If you are uploading a single, you can actually set the loudness higher and Spotify will automatically reduce it to -14 LUFS, but if you are uploading an album, it's important to have all tracks the same volume when you upload them. Spotify's algorithm will not adjust them individually, so a listener would have to keep adjusting the volume on his/her phone.